LG 60PG7000 Review

Korean-based Lucky Goldstar (LG) is a brand name which carries a strong “value for money” connotation. Indeed, their biggest Plasma display – the 60-inch LG 60PG7000 – costs considerably less than similarly sized plasma televisions from competitors. Nevertheless, LG reminds us that the PG7000 displays are positioned at the high end of their lineup. Featuring Full HD 1920×1080p resolution, an attractive “frameless” design, additional multimedia connectivity options, and most interestingly to us, the promise of an “Expert Mode” for “complete control” over the image, it would seem that LG has packed these displays full to the brim with features.

The bar is set high, so, value or no value, we started our tests and measurements to see if the LG 60PG7000 delivers the goods.

Design

To cut to the chase, the chassis design of the LG 60PG7000 gets our vote. The entire display is covered by a single, flat sheet of glass, which gives it an incredibly sleek look. It’s many, many times more attractive than the constructed, boxy look of many competitors’ plasma HDTVs. Down to the bottom-right, there’s a distinctive (yet not distracting) half-circle power button which will display a thin red or green tinge depending on the TV’s standby status.

The LG 60PG7000 also features an “invisible speaker” design, so there’s no holes or other unsightly effects on the front of the display. A neat curve tucks inward at the bottom of the display, which we thought was quite slick.

Connections

As a 2008 model, it’s not too surprising that the LG 60PG7000 plasma TV has no shortage of HDMI inputs. In fact, there are no less than 4 of them – three on the back, one on the recessed side panel.

As usual for Europe, there’s only one of the mandatory Component inputs (these are being phased out globally, though). For standard definition devices, there are two SCART connectors. And, there’s a VGA PC input, an RF input for Digital or Analogue TV services delivered by aerial, Composite and S-Video inputs on the side, and an RS-232C port on the rear, for increased functionality in a fully automated home theatre system.

Operation

On-Screen User Menu

Pressing the MENU button on the LG 60PG7000’s remote immediately brings up an attractive graphical selection screen. The eight colourful icons allow the user to jump directly to menu pages such as [Setup], [Picture], and [Audio].

Picture menu; not showing final settings

After making a selection, an equally well-designed but more traditional menu appears. The user can then use the stacked vertical icons on the side of the screen to jump to the different menu pages.

The [Picture] menu first presents control of the [Aspect Ratio], which can be 16:9, 4:3 pillarboxed, 14:9, or a Zoom or Stretch Mode. The [Just Scan] mode, which disables overscan for a 1:1 mapped 1080i/1080p signal, can also be selected here when applicable.

There are several [Picture Mode] selections, such as Vivid, Standard, Cinema, and Sport. More interesting to us are the Expert1 and Expert2 modes. These unlock the Expert Control menu, giving the user access to additional configuration options.

“Expert” menu; not showing final settings

As well as features such as [Fresh Contrast] and [Noise Reduction], there are options to raise or lower the overall [Gamma], a [Black Level] option which appears to cater to the differences in PC and TV levels, an option to enable or disable film cadence detection called [Film Mode], and a thoughtful [Colour Standard] option which can be toggled between SD and HD settings (which would appear to refer to the Rec 601 and Rec 709 standards respectively).

Below this are full user controls over Greyscale and Colour calibration. There are both Brightness (low end) and Contrast (high end) R/G/B controls, as well as Saturation and Tint controls for both primary and secondary colours. We’d have liked to see a Luminance control here for die-hard accuracy, but even a user-accessible CMS is much more than what other manufacturers typically offer, and we greatly appreciate this level of control not being locked away in a service menu.

EPG (Electronic Programme Guide)

EPG Display

The GUIDE button on the remote is used to call up the Electronic Programme Guide on the LG 60PG7000. Like the rest of the plasma television’s on screen graphics, it’s very slick and well-presented. It’s slightly irritating that it only shows 6 channels on screen at once, and two hours worth of programmes, however. Pressing the remote’s red button jumps to an alternative “Now and Next” mode; but since many TV shows are scheduled in 1-hour blocks, this wasn’t quite as useful to us as it might sound.

Selecting the name of a TV show will switch to that channel, but unlike most TVs, the EPG stays on screen afterwards. At first we thought this was a strange design decision, but it’s actually quite useful for deciding if you really do want to stay tuned. A quick press of the GUIDE button naturally removed the EPG.

Remote Control

The remote control provided with the LG 60PG7000 is functional, but doesn’t feel like what you’d expect from the company’s flagship product. It’s finished with a (fake!) leather-esque plastic, which felt a little 1970s to us. It was neither very satisfying, nor troubling, to use.

Calibration

Greyscale

We selected the [Expert1] Picture Mode to unlock the full range of user-accessible calibration features. This automatically applied more restrained, but still imperfect picture settings. It also applied the “Warm” greyscale preset, which, before calibration, looked like this:

“Expert1″ / “Warm” CCT

“Expert1″ / “Warm” RGB Tracking

Calibrating the LG 60PG7000 HDTV proved a little challenging. Approaching accuracy across the entire 0-100% range was difficult and involved compromise; particularly at 90 and 100% stimulus. Your mileage will almost certainly vary, however, and there’s the possibility of things settling down with a little aging/”running in” of the display.

Post-calibration CCT

Post-calibration RGB Tracking

One thing that’s worth noting is that previous LG Plasma displays, in certain regions, have featured a fully-fledged 10-point IRE Greyscale control, theoretically allowing for exact precision across the 0-100 IRE range. The LG 60PG7000 does not contain this feature, instead only presenting the more common RGB Low and High end controls. Of course, many displays have absolutely no user-accessible Greyscale controls at all, so rather than shifting the goal-posts, we’d like to recommend that LG make their great calibration options even better in the future, as they have done previously.

Colour

We were very pleased with the improvement gained by using the Colour Management System present in the [Expert Menu]. Using the standard [Expert1] setting, the 60PG7000 demonstrated the oversaturated colours that appear to be fashionable on modern panel displays.

CIE chart with reference to HD Rec. 709 before calibration

We didn’t find this too off-putting, but as always, we made use of the user-accessible controls for further improvement. The Saturation and Hue controls available for each of the Primary and Secondary colours permitted this fantastic result:

CIE chart with reference to HD Rec. 709 after calibration

Benchmark Test Results

Dead pixels	None
Screen uniformity	Perfect
Overscanning on HDMI/component	0% with “Just Scan” [Aspect Ratio] for 720 & 1080 source
Blacker than black	Passed
Black level	Average
Black level retention	Stable
Primary chromaticity	Excellent
Scaling	Above average
Video mode deinterlacing	Excellent
Film mode deinterlacing	Passed 3:2/ 2:2 cadences with [Film Mode] on, but not with HDMI
Viewing angle	Excellent (> 150°)
Motion resolution	800
Digital noise	Some PWM (pulse-width modulation) noise
Sharpness	Defeatable edge enhancement
Image retention	More prevalent than Panasonic & Pioneer plasmas
Posterization	Mild
Phosphor trails	Yes; severity depends on individual susceptibility
1080p/24 capability (PS3)	Accepts 24fps, but subtle telecine judder remains
Input lag	30ms

Power Consumption

Default	532 watts (average)
Calibrated	320 watts (average)
Standby	2 watts

Black Level

The blackest blacks we could squeeze out of the LG 60PG7000 plasma measured at a rather grey 0.13cd/m2. To put this into perspective, the current best we’ve measured for non-LED LCD televisions is a deeper 0.05cd/m2, and the sublime Pioneer Kuro plasmas bring a black level which is a hair-line away from 0. This said, the Kuro plasma naturally comes with an associated price tag, so this is not a very fair comparison. In addition, although the LG’s black level is beaten by certain LCD TVs, these are prone to problems with screen unevenness which is especially visible in dark areas, whereas Plasma displays produce a uniformly lit picture. We also don’t know of any 60″ LCD which is even approaching affordability.

Motion Resolution

Using the FPD Benchmark Software disc, we judged the resolution of the LG 60PG7000 at somewhere around 800-900 lines. This means that only very subtle details on the patterns showed issues. In real world content, we were hard pressed to see any problems.

The inherent Plasma issue of phosphor lag was present here, but the effect appeared to be minimal. On the “Swing” test, yellow and green fringing was evident, and with video games we detected the occasional flash of colour as we darted our eyes around the display.

Video Processing

To test the quality of the LG 60PG7000’s internal scaling, film deinterlacing and cadence detection functions, we connected a DVD player set to output 480i (for NTSC discs) and 576i (for PAL discs) using the HDMI connection. We tested various discs, most notably the PAL and NTSC versions of the HQV Benchmark.

Scaling was good, but not great. The image was reasonably crisp, but the algorithm used created a small amount of subtle ringing. Motion-wise, the LG 60PG7000 did a fantastic job of diagonal filtering, which meant that jaggies were kept to an absolute minimum for interlaced video material. On the rotating bar test pattern, jaggies were visible only at the most extreme angles, which is a fantastic result. On the second pattern, all three bars appeared smooth overall, which is an unusually high quality result for a television.

With the video side covered, we investigated the LG 60PG7000’s ability to render interlaced Film content optimally. Initially, film cadence detection was not looking very promising. In fact, with the HDMI connection, there was no cadence detection at all, and the [Film Mode] option was greyed out in the TV’s “Expert Menu”, preventing us from enabling it.

We then tested the analogue Component Video inputs and were pleased to find that this unlocked the [Film Mode] setting. It was worth the extra effort, because turning it on meant that both PAL 2:2 and NTSC 3:2 tests passed. It’s strange that such functionality is apparently disabled with HDMI, but as this connection is likely to be used primarily for Upscaling DVD players with their own video processors, or for real HD devices, it’s not a huge issue.

Film Mode functionality was thankfully operational on the built-in Digital TV tuner, so films broadcast on terrestrial television will benefit (if you really want to watch content of such poor quality on a screen this large). Users of standard definition cable or satellite decoders will also be pleased to hear that it works correctly over the SCART inputs.

Image Retention

It’s worth noting here that during the course of the review, we did sometimes suffer from image retention, even after calibration. Test patterns would sometimes temporarily embed shadows of themselves into the screen for short periods of time. None of this was permanent, however, and soon cleared up. LG does include several methods for “washing” such issues away, and modes which attempt to prevent it from happening in the first place (these include an Inverse Mode, a White Wash, and an Orbiter function which shifts the image around the screen subtly).

Picture Quality

1080p HD (Blu-ray)

We pulled out the recently re-released Disney classic, Sleeping Beauty, to test the LG 60PG7000’s ability to render 1080p films. The source material used for this disc has been through extensive digital restoration: Disney has gone as far as to have any trace of film grain completely removed, and apparently has extended this revisionism to altering the colour pallete of the film. The result is a curiously modern-looking release of a film made in the 1950s, but is nevertheless a very pleasing presentation (on all but one scene) in its own right.

High resolution 2D animation looks stunning on a large screen display, and the LG 60PG7000 was no exception. In fact, because a Plasma’s PWM-based display mechanism creates a very slight amount of picture noise, this incredibly static presentation felt a little livelier, with more depth than competing technologies.

We also tested Sony Pictures Home Entertainment’s terrific-looking release of Across the Universe, which contains good material for detecting the presence of internal frame rate conversion. The beginning of Chapters 12 and 14 demonstrated some judder, suggesting that the LG 60PG7000 perhaps does not handle 24p input optimally. We didn’t feel that this hugely detracted from the image, however.

Standard Definition (Freeview Digital TV)

With each new high resolution, large screen HDTV we review, we begin to wonder why we are supposed to take the over-the-air broadcast signal seriously. The less than stellar source material beamed out by most broadcasters is crushed down to unfathomably small data rates, and in many cases also to sub-standard definition resolutions, meaning that shopping for a TV to actually watch TV on has become a case of selecting the one which looks the least awful rather than the one which looks the best! The consumer is now ultimately paying the price on behalf of the short-sighted media regulators who failed to take HDTV seriously, and instead allowed the stunted SD Freeview platform to drown under the weight of home shopping and TV dating services.

Of course, none of this is the fault of LG or their PG7000, nor is it to say that the sub-standard TV broadcasts we receive are unwatchable. Some hard-coded MPEG Noise Reduction (which appears to be becoming a trend on new panel TVs) appears to go a very small way in cleaning up the fairly miserable TV pictures, but on the whole, we hope that people will use a suitably high quality source with this display. 60 inches of 1920×1080 resolution is really pushing it given the current standard of television “pictures”.

HD Console Gaming (Xbox 360: HDMI)

We played some Xbox 360 first person shooters on the LG 60PG7000, with the console outputting 1080p via HDMI. The experience was great overall, with an only mildly irritating 30ms of input lag present. Any combination of labelling the video input “PC” and/or turning on the “Game” AV mode did not reduce the amount of lag, but 30ms is by no means intolerable.

Conclusion

Pros

• “Expert Mode” allows for user-accessible control over Greyscale and Colour
• Gorgeous design of both the display and its on screen menus
• Generous connectivity with 4 HDMI inputs, and multimedia viewing options
• Good motion resolution
• Great cadence detection*, fantastic diagonal interpolation, and good scaling of SD content
• Value for money

Cons

• Unconvincing black level robs picture of some depth
• A flagship model deserves a better remote control
• Possible image retention issues; seemingly moreso than on competing Plasmas
• Input lag of 30ms may irk gamers with lightning reflexes
• 24p content judders subtly

Summary

We started this review by mentioning the value for money associated with LG’s displays, and it’s not too surprising that we end it in much the same way. The LG 60PG7000, unsurprisingly, cannot escape the limitations necessitated by its attractive price point. That said, the majority of people in the market for a (comparatively) inexpensive yet large screen will probably be understanding of the 60PG7000’s black level shortcomings. The fact that this is our only solid gripe with the display is an indicator of the price to performance ratio that LG have achieved. Certainly, the company understands the desires of A/V enthusiasts and goes a long way in catering to this audience with the “Expert Mode”.

There will be people who will be better served by downsizing and going with a higher quality, smaller display, but if you have your heart set on a big TV and can’t stretch your budget any further, then the limitations of the LG 60PG7000 may well be ones that you can live with.

Panasonic DMP-BD50 Review

Although its relatively boxy shape and DVD player-sized casing might make it look unusually ordinary for a Blu-ray Disc player, the Panasonic DMP-BD50 has the distinction of being the first standalone BD machine which meets the “Profile 2.0″ criteria. This means that the Panasonic DMP-BD50 can access all of the Picture-in-Picture video commentary content, and all of the online connectivity features present on some Blu-ray Discs (branded “BD LIVE”). The Playstation 3 has been gifted this enhanced functionality through system updates, but until now, standalone players have been left without access to such features. At last – a standalone Blu-ray player that isn’t obsolete from day one!

In terms of design, the Panasonic BD50 is a far cry away from the unsightly HD players which were the norm just a few years back. Like the original DMP-BD10, the front of the unit features two stylish chrome flaps, one of which automatically folds downwards when the disc tray is extended. The other flap hides some small, square buttons which seem to be designed with the idea that nobody will use them, and an SD card input.

Under The Hood

Of course, like with all Blu-ray players released to date, the Panasonic DMP-BD50 will scale and deinterlace (”upconvert”) your existing standard-def DVD collection, too. In fact, there are some unique Panasonic technologies included, which promise to squeeze more performance out of such material. The “UniPhier” processor, which is active on both BD and DVD content, features PHL Reference Chroma Processor and P4HD functionality. The former of these technologies has been designed to intelligently upconvert the compressed colour on DVD and BD material, which both use 4:2:0 chroma sampling. This simply means that the coloured channels of the picture are stored at half-resolution, to maximise disc space whilst taking advantage of the human eye’s lessened sensitivity to coloured areas of the image. The PHL functionality’s aim is to make this process less noticeable than ever before.

The P4HD technology, from reading Panasonic’s promotional material, appears to refer to Deinterlacing and Scaling, which will be active for DVD upconversion. The Deinterlacing functionality will also be active while the Panasonic BD50 Blu-ray player is deinterlacing 1080i Blu-ray Discs (of which there are very few) to 1080p.

Additionally, the DMP-BD50 player features on-board decoding of the high definition audio formats (including Dolby TrueHD, Dolby Digital Plus, and DTS-HD Master Audio), to allow owners of capable audio systems to enjoy improved sound quality.

Note: Before testing, the most recent firmware was installed on the player (v1.3, instead of the supplied v1.2). Firmware can be updated automatically over the internet, if a LAN cable is connected, or on files burned to CD-R discs.

Connections

On the back of the Panasonic DMP-BD50, you’ll find the HDMI video output, which will be the connection of choice for all but a handful of users. This output can send video at resolutions ranging from 480p, all the way up to the important 1080p (which can be output at 24fps for modern displays). There are also analogue Component Video outputs (restricted to 1080i, apparently due to some sort of baffling copy protection paranoia on Hollywood’s part), and the rather pointless standard definition S-Video and Composite video outputs.

For audio, the HDMI port will output either PCM or raw bitstream to an A/V receiver (assuming you’re using one). There are also Digital Coaxial and Optical outputs for older audio devices. Lastly, there’s analogue Stereo outputs, and more importantly, analogue 5.1 surround audio outputs. These will allow owners of receivers/amps without HDMI inputs to still experience HD audio.

For most of our tests, we used only the HDMI connector, feeding an Onkyo TX-SR876 AV receiver, which in turn fed both a 40″ HDTV (1080p/60) and an SXRD video projector (1080p/24). Of course, not everyone has an amp which can decode HD audio yet, so we also connected a digital coaxial cable, too. For video tests, the Panasonic DMP-BD50 Blu-ray player was connected directly to the display devices.

Video Options

We inserted a 1080p Blu-ray Disc (the MPEG-4 encoded version of The Descent) and took a look at the player’s video options. The [Picture Adjustment] menu is accessed by pressing DISPLAY on the Panasonic DMP-BD50’s remote. It allows control over Contrast, Brightness, Sharpness, and Colour. Hopefully, these will already be set correctly on the display, but there’s no harm in including them here, too. Sharpness should be set to 0 on the player for a direct reproduction of the disc contents. For Blu-ray playback, we left these settings at their defaults.

Lastly, there are [3D NR] and [Integrated NR] functions which as usual, we don’t recommend using. Any noise reduction algorithm is likely to compromise detail, which should be the last thing anyone would want on a High Definition (the clue is in the name!) format. The [3D NR] function is a temporal filter which will smooth out moving noise, and the [Integrated NR] is a spatial filter which very slightly affects noise at the single frame level. It seems that Panasonic understand that such features can damage quality, as the effects of both are suitably restrained.

(By the way, one weird mis-feature of the DMP-BD50 is that the Picture Options menu is inaccessible if you’re playing a DVD from +RW media. If this is an intended feature, then the only remotely plausible explanation we could come up with was that DVD+RW discs are likely to contain lower quality content recorded on a DVD Recorder, and the player is perhaps forcing adjusted picture options as a result).

Video Quality: Blu-ray Movies (1080p/24 and 1080i Film content)

There have been reports from some sources that standalone BD players are superior in terms of Blu-ray picture quality when compared to the ubiquitous Playstation 3 (the performance of which is a thorn in the side of CE companies who want to sell dedicated BD players). We’ve read reports mentioning smoother motion, as well as the usual claims of sharper pictures and more dazzling colours.

It’s true that standalone players more often include adjustments which can further process the video stored on the disc (just as this one does). However, from an accuracy viewpoint, and usually from a quality viewpoint, this is counterproductive. The best player will be one which simply shows the video as-is. The data stored on a Blu-ray Video disc is almost always video with a resolution and frame rate of 1920×1080p at 24fps, with 4:2:0 chroma sampling, which is an almost-perfect match for today’s 1920×1080/24p displays. That’s not to say that there’s no room at all for performance to vary, but it simply means that, taking subjectivity out of the equation, there’s not really a lot that can go wrong.

To make doubly sure the detail delivered from these two players (the Panasonic DMP-BD50 and the Sony PS3) was identical, we paused the Resolution Sine Pattern (which is included as a hidden feature on all Sony Pictures Blu-ray Discs) on both players, using the same TV, input, disc and cables. We took close-up pictures of the screen at the same distances for each player. The results also allowed us to confirm that the “0 Sharpness” setting on the DMP-BD50 was producing an entirely unaltered picture. As you can see from the two images below, the only difference appears to be in the players’ white level. (Please note: the rainbow effect is created by the camera; not the players).

Test pattern on Panasonic DMP-BD50

Test pattern on Sony PS3

The happy fact of all of this, is that when it comes to video decoding of 1080p/24 content, the Panasonic BD50 player does everything properly. It gives a perfect quality replication of the stored material, and could, in theory, enhance poorer quality discs (which will hopefully become a non issue on the BD format). Unlike some older BD standalone players, the 1080p output is full resolution. Older machines actually processed the video at 1080i before converting back to 1080p for output, sometimes with imperfect results. There are no such issues here – just fantastic, clean 1080p video, as it should be.

For rarer discs encoded at 1080i, things are also very good, but not perfect. For Progressive, Film-derived content hiding inside a 1080i signal, the DMP-BD50 does indeed detect the 3-2 cadence and produce a clean, jaggy-free 1080p image, but also suffers from the Chroma Upsampling Error, which means that strong colours (most noticeably reds) appear just a little jagged up close. Almost no discs are actually encoded at 1080i, however.

Video Quality: 1080i Video Content

Unlike some other players, which simply pass the 1080i signal to the TV for deinterlacing, the Panasonic BD50 uses its own internal video processor for the job. There’s not really a great deal of 1080i/60 video camera generated content available on Blu-ray right now, so it was a little difficult to gauge the performance. However, the always trusty FPD Benchmark Software disc has some test sequences designed to test the motion resolution of TVs. By design, the inherent motion in these clips is good for testing deinterlacing performance, too. Chapter 13 of this disc is an overhead view of Tokyo, recorded from aboard a helicopter. The judder created by the helicopter’s movement creates interlacing artefacts on many video processors, especially on areas of finer detail - but the chip inside the Panasonic DMP-BD50 wasn’t fooled, and delivered great results from this challenging material.

Video Quality: DVD Upconversion

The first thing that struck us when we played a DVD on the Panasonic DMP-BD50 player was the quality of the scaling. It’s not entirely free of ringing, but there’s very little, and most importantly, the amount of detail captured is fantastic. There was a small price to pay for this level of clarity, though: at its default settings, the DMP-BD50 had the tendency to exaggerate mosquito noise in some DVD encodes. We lowered the Sharpness setting to -2 on the player, which resolved this situation greatly without affecting detail.

Sadly, motion was not handled as well. The Panasonic BD50 player failed to detect and compensate for a 2:2 cadence, which means that performance from PAL (UK/European and Australian) Film DVDs is not maximised. There are no options on the player to manually force Film Mode deinterlacing as a next-best alternative, either (the only available option is a rather pointless switch between “Auto” and “Video” modes, both of which provide the same functionality in this case). Many video processing devices fail this test, but we expected the DMP-BD50 to pass. The player has no way of outputting the video signal as “raw” 576i, either, so even if your TV or AV Receiver can process such content correctly, you’re forced to use the flawed Deinterlacing in the player. We hope that Panasonic issues a firmware update to correct this – surely the hardware inside the player is capable of this functionality.

Not uncommonly, the situation was rosier for the NTSC standard used by Region 1 DVDs: the crucial 3:2 cadence passed, but none of the others did. Perfectly tuned players can pass all of these tests, but 3:2 is the truly necessary one, so it’s fortunate that it works here.

By the way, for 4:3 DVD content, there’s aspect ratio controls that will stretch and zoom the image. Of course, there’s the old classic side-bars option which will pass the 4:3 video through undistorted. By default, the player draws grey side-bars on 4:3 material, presumably to avoid screen burn on Plasma displays. These bars can be made black by disabling the [Screen Saver Function] in the player’s Display menu.

Chroma Performance

Since Panasonic touts the DMP-BD50’s ability to process the colour components from BD and DVD video images as a selling point, it’s worth paying special attention to how these areas of the picture looked. Armed with both Film and Video animated discs in NTSC and PAL DVD formats, we paid special attention to the saturated colours present in such material. We also tested some live action discs too.

Firstly, the player does not have the Chroma Upsampling Error when playing back Film content, which is just as well given the emphasis placed on Chroma performance. CUE is/was a phenomenon which caused the coloured areas of DVD images to look slightly jagged; and was the result of incorrect processing.

We also checked some animated TV shows (which are on DVD in their original Interlaced format) to see how the chroma processor tackled these. Interlaced content on DVD has a fundamental flaw which can only really be tackled by blurring the coloured information, which the Panasonic DMP-BD50 didn’t do. We confirmed this with our own self-authored Chroma Test Disc, too. This may be an intentional design choice, as the alternative blurring method robs the colours of a little punch. Personally, I prefer the alternative method, and find this is a little disappointing given the unusual promotion of this player’s “Reference Chroma Processing”. At least one high-end DVD player offers the option to switch between both ways of tackling this issue - it’s a shame the Panasonic BD50 doesn’t.

Audio

Given the inherent subjectivity with audio, there’s not as much to say, other than that the Panasonic DMP-BD50 Blu-ray player sounded as great as we expected. The PCM 5.1 track on Kill Bill Volume 1, as well as Dolby TrueHD tracks on other titles, sounded terrific. The analogue 5.1 surround outputs will please owners of older audio equipment, and are likely to be a key selling point of standalone BD decks (the PS3 does not offer this option).

Remote

There’s plenty to like about Panasonic’s bundled remote. It features an Open/Close button (some remotes still don’t!), and big blue Stop, Pause and Play buttons. Oddly, there are no dedicated Subtitle or DVD Menu buttons (the “Top Menu” button doesn’t always do the same thing). Instead, some of these missing functions must be accessed through a separate pop-up menu. The remote does have buttons for accessing Picture In Picture and Secondary Audio streams, and a “Re-master” button to engage an audio processing feature.

Bootup & Load Time Tests

The time it takes for a player to start playing video from power-up has been something of a sore spot for high-def disc players since they became available. Although it wasn’t always as fast as we’ve come to expect from our DVD players, the Panasonic BD50 was relatively speedy for the most part. The load times varied depending on the complexity of the disc, and how it was authored.

To test how the DMP-BD50 fared, we inserted a disc and turned off the power. Then, we powered the machine on and allowed it to automatically begin loading, and stopped our stopwatch when the first visible video content appeared (usually a company logo or a Warning screen). We left the stopwatch running during any disc loading screens.

	Panasonic DMP-BD50	Sony PS3
Pirates of the Caribbean (BD-Java)	55 seconds	55 seconds
Resident Evil: Apocalypse (BD-Java)	74 seconds	46 seconds
Run Lola Run (BD-Java)	60 seconds	44 seconds
Sweeney Todd – UK Warner version (BDMV)	36 seconds	36 seconds
The Fifth Element – remastered (BDMV)	38 seconds	38 seconds

Discs authored with BD-Java showed the biggest discrepancies in load time, but we were pleased to see that both of the discs authored in the simpler BDMV mode were as fast as the fastest player currently available (the PS3). We also noted that one of the earlier and notoriously problematic BD-Java discs, Pirates of the Caribbean, took just as long to load on both machines. We’re pleased to see that the performance gap is closing between the PS3 and new standalone decks, but there’s still some work to be done.

Conclusion

Pros

• Picture quality from 1080p Blu-ray Disc is perfect
• Player is fully compatible with all Blu-ray Disc features (Profile 2.0)
• Attractive design
• Deinterlaces rare 1080i discs to 1080p
• Relatively fast start-up times (depends on disc contents)
• 5.1 analogue outputs for installation flexibility (owners of older amps can still enjoy HD soundtracks)
• Available in a modified multi-region version

Cons

• DVD playback is lacking for PAL film viewers: 2:2 cadence not properly handled, creating jaggies
• Interlaced Chroma could be better handled - disappointing given the “Reference Chroma Processing”
• Remote control lacks some useful buttons; some options must be accessed through menus

Summary

With the DMP-BD50, Panasonic have proved that Blu-ray Disc players are becoming more attractive, more affordable, and at long last, fully featured. As we expected, the picture quality from playback from 1080p/24 Blu-ray movies was perfect: limited, it would seem, only to the encoded contents of the disc.

SD DVD playback was surprising. Despite the promotional material claiming superior performance in both Chroma Processing and, at least in spirit, Deinterlacing, it was disappointing to see flaws in both. The lack of support for proper deinterlacing of PAL Film content is the most serious error.

But, to complain too much about the Panasonic DMP-BD50’s DVD playback would, in this writer’s opinion, be missing the forest for the trees. The Panasonic BD50 is a complete, fully fledged Blu-ray Disc player which, unlike older standalone players, is not essentially obsolete by design. And, it’s even more affordable than previous offerings. HDTV owners craving a complete, standalone Blu-ray Disc player are advised to check out the Panasonic DMP-BD50.