Panasonic TX-P42G10 Review

The Panasonic TX-P42G10 is the first plasma television available to buy in the United Kingdom featuring their NeoPDP plasma panel which doubles the luminous efficiency of every plasma cells. To put it another way, the Panasonic TX-P42G10 plasma HDTV is able to display the same level of brightness while consuming only half the amount of energy when compared to its non-NeoPDP predecessors. It also means that the Panasonic TX-P42G10 should have no problem reaching the eye-torching levels of brightness that LCD TVs are capable of (if that is what you’re after).

Further bolstered by an integrated Freesat tuner and 600Hz Sub-field Drive Intelligent Frame Creation Pro, let’s see how the Panasonic TX-P42G10’s picture quality measures up against some of the highly recommended flat screen HDTVs we’ve reviewed in 2009.

Note: The specific plasma model we tested was the Panasonic TX-P42G10B… the character “B” appended to the end of the model number denotes the 3-pin-plug British version available for sale in the UK.

Update 27 February 2010: This model has now been replaced by the Panasonic TX-P42G20B in their new 2010 line-up of NeoPDP plasma televisions.

Panasonic TX-P42G10 Design

The Panasonic TX-P42G10 plasma TV does not sport the slim chassis design which is understandably reserved for their more expensive lines (such as the G15 series), but it is not bulky by any means, thanks to the thinness of the glossy black bezel framing the plasma screen. Just like the recently reviewed Panasonic TX-L32G10 LCD television, the Panasonic TX-P42G10 HDTV bears a biconvex silver accent separating its logo from its curved bottom, and comes with a shiny oval-shaped pedestal stand that does not swivel.

An inspection around the back of the plasma panel reveals high build quality, two cooling fans that produce a mild whirring background noise (which should be adequately masked by normal TV volume at normal sitting distance), but no recessed handgrips (found on previous Panasonic plasmas). The TX-P42G10’s internal speakers can churn out surprisingly loud volume and meaty bass without distortion, but falls somewhat short predictably in the area of audio resolution and stereo imaging due to their hidden, down-firing position.

TX-P42G10 Connections

Rear: 2 x HDMI, component, 2 x Scarts, ethernet, aerial, Freesat, CI slot, audio outs

Side: SD card, HDMI, VGA, S-video, comp, headphone	Control buttons (F=function)

TX-P42G10 Remote Control

The infrared remote control bundled with the Panasonic TX-P42G10 features large and clearly labelled buttons which return delightful tactile feedback. However, two buttons granting direct access to Panasonic’s Viera Link and Viera Tools have been given unnecessary prominence in the arc above the navigation pad, therefore relegating the much more frequently used [Menu] button to an easily overlooked spot near the top of the remote. The [Menu] button also sits perilously close to the [N] button – press this accidentally, and all your picture and sound settings will be instantly “normalised” (without asking for further confirmation) to the default levels within the current viewing mode.

TX-P42G10 Calibration

Greyscale

Unlike the corresponding European version TX-P42G10E, the UK variant (TX-P42G10B) lacks white balance controls in its user menu, so unless you are brave (and knowledgeable) enough to break into the service menu (which theoretically voids your warranty instantly), you’ll have to make do with one of the three [Colour Balance] presets for greyscale adjustment. [Colour Balance] “Warm” in the “Standard” [Viewing Mode] (we’ll explain why this is a viable alternative to “Cinema” in a later paragraph) yielded the greyscale closest to D65 video standard:

CCT of [Colour Balance] “Warm” in [Standard] mode

RGB tracking and delta errors (dEs) with [Colour Balance] “Warm”

There remained a touch too much blue in the greyscale, though casual users usually won’t notice this subtle degree of deviation in day-to-day viewing.

Colour

Panasonic TX-P42G10 CIE chart with reference to HD Rec. 709

Like all Panasonic’s low-end and mid-range plasma TVs we have tested in the past, the Panasonic TX-P42G10 HDTV exhibited an oversaturated green primary colour point that was tilted towards blue. Magenta secondary colour point was slightly off, and there was a mild red push (a colour decoding error which cannot be inferred from the CIE diagram alone). Toning [Colour] down could attenuate this red push, but because the [Colour] control affects all colours globally, the final picture would look unhealthily desaturated.

Benchmark Test Results

Dead pixels	None
Screen uniformity	Perfect
Overscanning on HDMI	0% with [Picture Overscan] set to “Off“
Blacker than black	Passed
Black level	Deepest yet from a Panasonic plasma
Black level retention	Stable in [Cinema] mode
Primary chromaticity	Average; green oversaturated and tilted towards blue
Scaling	Very good for progressive video signals (576p)
Video mode deinterlacing	Very effective jaggies reduction
Film mode deinterlacing	Failed 3:2/ 2:2 cadences in all resolutions
Viewing angle	Excellent (> 150°)
Motion resolution	1080
Digital noise reduction	Less PWM noise than Pioneer Kuros
Sharpness	Defeatable edge enhancement
Image retention	Virtually none
Posterization	Mild, though worse with poor source
Phosphor trails	Yes; severity depends on individual susceptibility
1080p/24 capability (PS3)	Accepts 1080p/24 video signal; no telecine judder
Input lag (rel. to Samsung F96)	Up to 21ms faster with [Game Mode] engaged

Power Consumption

Default [Standard] mode	181 watts*
Calibrated [Standard] mode	235 watts
Standby	1 watt

* The default factory settings in “Standard” [Viewing Mode] was unusually dim: luminance output measured at only 64 cd/m² on a 100% stimulus windowed pattern. This is the reason why the power consumption of our Panasonic TX-P42G10 review sample was lower out-of-the-box than that after calibration.

TX-P42G10 Picture Performance

Black Level

We measured the calibrated black level on our Panasonic TX-P42G10 review unit to be 0.03 cd/m², which puts it on par with the Pioneer PDP-4280XD 8G Kuro plasma, but still some way off the 0.0031 cd/m² record currently held by the Pioneer PDP-LX5090 9G Kuro plasma TV. While this may sound like a lot of difference, when there’s full-screen content the black-level advantage of the Pioneer PDP-LX5090 over the Panasonic TX-P42G10 will appear subtle rather than obvious in a subjective side-by-side comparison.

The Panasonic TX-P42G10 plasma television suffered from fluctuating black levels in all picture [Viewing Mode] except “Cinema“, although to be fair this was extremely slight and practically unnoticeable in real-world viewing.

Standard Definition

The Panasonic TX-P42G10 plasma TV does not deal with standard-def interlaced video signal (576i) very well at all, which is a shame because that’s how Freeview and Freesat SD broadcast signals are received by the television. Even though its video processing circuit cleaned up moving jagged edges very effectively (judging by the rotating wheel, bouncing bars and waving flag patterns in the HQV test disc), the TX-P42G10 fared poorly in the area of film-mode deinterlacing. It completely failed to detect and process 3:2 and (more pertinently for UK users) 2:2 cadences over 480i and 576i respectively, causing deinterlacing artefacts like moire and line twitter to rear their ugly heads in film-based material such as movies and American dramas.

Moreover, the Panasonic TX-P42G10 appeared to lose some resolution when converting 576i to 576p before upscaling the video signal to fit on its 1920 x 1080 panel. Check out the following screenshots of the SMPTE RP 133 test pattern when the TX-P42G10 was asked to:

1. Deinterlace and scale (the TV was fed a 576i signal over HDMI);
2. Scale only (the TV was fed a 576p signal over HDMI);
3. Compete against the Sony PS3 (the TV was fed a 1080p signal from a PS3 doing the upscaling).

Photo 1: 576i over HDMI from a Toshiba HD-E1 HD DVD player

Photo 2: 576p over HDMI from a Toshiba HD-E1 HD DVD player

Photo 3: 1080p over HDMI from a Sony PS3 with [DVD Upscaler] set to “Normal”

Notice how the finest vertical lines were blended into a grey field in Photo 1, not to mention the blurriness of the characters. The fact that the TX-P42G10 scaled the 576p image in Photo 2 so cleanly and crisply without excessive ringing – dare we say matching even the Sony PS3 – suggests that the loss of picture resolution and detail occurred during 576i to 576p conversion.

Here’s the bottom line: you should always try to send a progressive video signal (i.e. let your DVD player/ set-top box/ external video processor perform the deinterlacing) to the Panasonic TX-P42G10 plasma television if you wish to obtain the best standard definition picture quality possible.

But what if you have no choice but to watch 576i programmes, such as those from the inbuilt Freeview and Freesat tuners? All is not lost, for the Panasonic TX-P42G10’s inky blacks, natural colours and excellent motion clarity are more than adequate to enthrall you and draw your attention away from its deficiencies. To combat the softness of SD images, you can either sprinkle in a dash of measured edge enhancement via the [Sharpness] control, or simply sit farther away from the screen (which renders any video processing/ compression artefacts less visible as well).

High Definition

Thanks to the integrated Freesat tuner on the Panasonic TX-P42G10 plasma HDTV, we feasted our eyes on a host of HD sports broadcasts.

The sharp detail and lush colours delivered by the TX-P42G10 made the nail-biting final day of the Masters Golf Tournament 2009 a joy to watch on BBC HD. Because of the marginally plus-blue greyscale and the green primary colour point which was deviated towards blue, the greens in the sun-drenched golf course did appear a tad bluish, but this should irk only the most demanding of videophiles.

We also managed to catch the roller-coaster goal fest in the UEFA Champions League quarter-final second-leg match between Chelsea and Liverpool on ITV HD. Even without [Intelligent Frame Creation] engaged, motion clarity on the Panasonic TX-P42G10 was typically superb. Activating [Intelligent Frame Creation] did not really bring about any further subjective improvement in motion resolution, but did cause the ball to “shimmer” when flying past the crowd though this was nowhere near as conspicuous or offensive as the notorious “triple-ball” tearing artefact witnessed on older Samsung flat screen HDTVs.

In “Cinema” [Viewing Mode], overall gamma was 1.95 after calibration. Image contrast took a small hit as a result: most scenes in Quantum of Solace on Blu-ray looked a bit washed out, and did not achieve the degree of “pop” seen on HDTV displays boasting 2.2 gamma such as the Pioneer PDP-LX5090 plasma, and the Sony KDL40W5500 and the Samsung LE40B650 LCD televisions. Some viewers may appreciate the (sometimes excessively) revealing shadow detail though, for example during the interrogation and foot chase sequences in the Siena cisterns, and also in the sinkhole where Bond (Daniel Craig) and Camille (Olga Kurylenko) had landed after parachuting from their crashing plane.

User-accessible gamma control – stripped from the British TX-P42G10B but included with the European equivalent TX-P42G10E – would have been extremely helpful in this instance. In the end we had to resort to the “Standard” [Viewing Mode] which provided a punchier balance between bright and dark scenes, and a more realistic rise from blacks into lighter shadows. While this entailed some subtle black level fluctuation and just a hair more PWM noise (both barely noticeable in real-life material from more than 4 feet away), the resultant image exuded more depth and dimensionality worthy of the set’s inky blacks and wide dynamic range.

The Panasonic TX-P42G10 HDTV handled 1080p/24 video signal from the Sony PS3 fluidly without any sign of telecine judder. Engaging [Intelligent Frame Creation] did not introduce the dreaded video-like effect nor any significant interpolation artefacts, but because we did not observe any convincing improvement in motion resolution either, we decided to leave it off.

Console Gaming

If you’re not one of the few unfortunate viewers with high retinal persistence who are extremely susceptible to phosphor trails on plasma televisions, high-definition gaming on the Panasonic TX-P42G10 will be a blast thanks to its punchy contrast, vibrant colours, lucid detail, and almost non-existent input lag.

Objective measurements placed input lag with [Game Mode] activated at up to 21ms faster than our resident Samsung F96 LED-backlit LCD TV. Even if [Game Mode] was not engaged, the TX-P42G10 was on par with the F96 regardless of whether [Intelligent Frame Creation] was on or off.

TX-P42G10 Review Conclusion

Pros

• Exceptional black level that rivals that on an entry-level 8G Pioneer Kuro PDP-4280XD
• Revealing shadow detail delineation
• Fantastic motion clarity even with [Intelligent Frame Creation] disabled
• Handles 1080p/24 signals correctly without telecine judder
• Very effective video-based jaggies reduction
• High quality upscaling of standard-def progressive video signals
• Natural-looking colours
• Negligible input lag allows for enjoyable gaming response
• Virtually no image retention
• Integrated Freesat tuner
• Wide viewing angle with no drop-off in contrast/ colour up to 150° (but can exhibit the odd “double image”; see Cons)
• Perfect screen uniformity
• Consumes less power than previous 1080p plasmas

Cons

• No white balance and gamma controls available in user menu
• Non-existent film mode deinterlacing
• Some picture resolution and detail loss with 576i to 576p conversion
• Green primary oversaturated and bluish
• Mild red push
• Settings cannot be saved independently per input (though can be saved separately for each picture mode)
• Multilayered plasma glass causes “ghost image” of specific material (e.g. white text on a black background) to be repeated behind the original image, which is noticeable from certain off-axis angles/ distances
• Still consumes more power than similarly-specced LCD TVs.

Summary

Pioneer’s bottom-line-driven decision to stop developing and manufacturing their critically acclaimed Kuro plasma televisions has left a huge gap in the market for consumer-grade reference quality displays. As Pioneer’s business alliance partner during the Kuro’s twilight year, and a logical refuge for former Kuro engineers, Panasonic seems best-placed to benefit from Kuro’s demise.

Armed with their latest Neo PDP technology, the TX-P42G10 is Panasonic’s first attempt at claiming the vacant throne. Although its black performance has improved to the level of an entry-level 8G Pioneer Kuro PDP-4280XD, the TX-P42G10 still trails behind the nearly extinct Kuros in terms of colour accuracy and standard-def video processing.

Nevertheless, if you can forgive Panasonic for omitting white balance and gamma controls from the UK variant, and the set’s subpar SD deinterlacing (which can be overcome by letting a competent external device do the job), the TX-P42G10 still represents excellent value-for-money due to its virtues of inky blacks, revealing shadow detail, natural colours, superb motion clarity, negligible input lag, integrated Freesat tuner, wide viewing angles, and reduced power consumption (cf. previous 1080p plasmas).

Panasonic TX-L32G10 Review

Despite being a strong advocate of plasma display technology, Panasonic has continued to release LCD televisions to cater for buyers who are unable to make room for larger-sized plasmas. 6 weeks ago, no less than 7 new LCD ranges (the C10, X10, X15, S10, G10, G15, and V10 series) were launched at the Panasonic Convention 2009 in Amsterdam; today, we’ll have a proper look at the smallest model in the G10 LCD series, the 32-inch Panasonic TX-L32G10.

Besides a true HD native screen resolution of 1920 x 1080 (though it’s debatable whether you can fully appreciate this on a 32″ screen from normal seating distances), another main selling point of the Panasonic TX-L32G10 is its integrated Freesat tuner. Freesat, of course, is the UK free-to-air digital satellite TV service that lets you watch high-definition content on certain channels (BBC HD, ITV HD, Luxe HD) without having to pay for a subscription.

Note: The specific model we reviewed was the Panasonic TX-L32G10B… the character “B” appended to the end of the model number refers to the 3-pin-plug British version.

Design

From its polished black bezel and boxy shape, to the biconvex silver strip that separates the logo and the subtly curved bottom border of the panel, the TX-L32G10 LCD HDTV does not deviate too much from Panasonic’s solid if unspectacular design philosophy. Whereas its predecessor (the TX-32LZD81) sported a pre-attached cuneiform pedestal stand, the one that comes with the Panasonic TX-L32G10 has an oval base, does not swivel, and is packaged separately inside the shipping box.

Connections

Rear: 3 x HDMI, VGA, component, 2 x Scarts, aerial, Freesat (not shown), LAN, audio outs

Side: HDMI, S-video, composite, CI slot, SD card slot, headphone out

Calibration

Greyscale

Just like all Panasonic consumer-grade flat screen televisions we’ve reviewed to date, the TX-L32G10 lacks white balance controls in its user menu for full greyscale calibration, so we’ve had to make do one of the three [Colour Balance] presets (”Cool“, “Normal” and “Warm“). As expected, [Colour Balance] “Warm” in “Cinema” [Viewing Mode] came closest to D65 industry standard:

CCT of [Colour Balance] “Warm” in [Cinema] mode

RGB tracking and delta errors (dEs) with [Colour Balance] “Warm”

There remained a tinge too much red in the greyscale, but thankfully, casual users generally shouldn’t notice this subtle degree of deviation in day-to-day viewing.

Colours

Panasonic TX-L32G10 CIE chart with reference to HD Rec. 709

The colour gamut on our Panasonic TX-L32G10 sample unit came reasonably close to high-definition Rec. 709 reference. Green primary was slightly oversaturated, but at least hue was aligned… an improvement from the wildly oversaturated and bluish green primary colour point on most Panasonic plasmas we’ve tested. Unfortunately, we detected some red push (a colour decoding error which cannot be inferred from the CIE diagram alone) on the Panasonic TX-L32G10, which – together with the deviated yellow and (to a lesser extent) magenta secondary colour points – will no doubt impair the realism of skin tones.

Benchmark Test Results

Dead pixels	None
Screen uniformity	Excellent
Overscanning on HDMI	0% with [Picture Overscan] set to “Off“
Blacker than black	Passed
Black level	Average
Black level retention	Stable in “Cinema” [Viewing Mode]
Primary chromaticity	Very good
Scaling	Good
Video mode deinterlacing	Good; effective jaggies reduction
Film mode deinterlacing	Failed 3:2 and 2:2 cadences in all resolutions
Viewing angle	Excellent for an LCD TV (120-130°)
Motion resolution	[Intelligent Frame Creation] “Max”: 850; “Mid”: 900; “Off”: 250
Digital noise reduction	Acceptable at baseline
Sharpness	Very mild non-defeatable edge enhancement
1080p/24 capability (PS3)	Accepts 1080p/24 video signal; no telecine judder
Input lag (rel. to Samsung F96)	0ms in “Game” [Viewing Mode]; 15ms otherwise

Power Consumption

Default “Normal” [Viewing Mode]	91 watts
Calibrated “Cinema” [Viewing Mode]	78 watts
Standby	<1 watt

Picture Performance

Black Level

Although the advanced IPS-alpha panel on the Panasonic TX-L32G10 HDTV excelled at delivering wide viewing angles (for an LCD TV), blemishless screen uniformity and smear-free motion, its Achilles’ heel was always going to be in the critical area of black-level performance, which is of course not helped by Panasonic’s persistent omission of backlight control from their LCD televisions (only in the UK… the US versions do offer backlight adjustment control).

In “Cinema” [Viewing Mode], calibrated black level on the Panasonic TX-L32G10 measured at a distinctly average 0.26 cd/m². Some dynamic dimming wizardry (e.g. by switching the [Viewing Mode] to “Standard“) can lower this to an impressive 0.04 cd/m² (achievable only when the content displayed on screen is totally black), but of course, gamma/image contrast, shadow detail and highlights will suffer as a result of the fluctuating nature of this picture processing method.

Gamma in [Cinema] mode	Gamma in [Standard] mode

Motion Resolution

Using Chapter 31 of the “FPD Benchmark Software For Professional” test disc as our reference, we recorded a motion resolution of 900 on the Panasonic TX-L32G10 with [Intelligent Frame Creation] set to “Mid“. After the Sony Z4500 which boasts 200Hz Motionflow technology, this is the joint second highest (with the Philips 9632) among all the LCD televisions we have tested to date. Also impressive was how clean and halo-free the motion interpolations were.

Paradoxically, cranking [Intelligent Frame Creation] up to “Max” actually dropped the Panasonic TX-L32G10’s motion resolution to 850, due to the introduction of some more undefeatable edge enhancement which obscured the finer lines.

[Intelligent Frame Creation]	[24p Smooth Film]

Disabling [Intelligent Frame Creation] further reduced motion resolution to 250 – the norm for LCD panels not equipped with MCFI (motion-compensated frame interpolation) technology. [24p Smooth Film] – a menu option which only presents itself when the Panasonic TX-L32G10 is fed with 1080p/24 video signal – had no effect on motion resolution.

Standard Definition

The Panasonic TX-L32G10 LCD HDTV smoothened jagged edges effectively for video-based material, but failed to detect 3:2 and 2:2 cadences (over 480i and 576i respectively) for film mode deinterlacing, which means that film-based content such as movies and American dramas will be tarnished with deinterlacing artefacts like moire and line twitter. Whether or not these artefacts will be visible to you depends on your viewing distance (the farther you are, the less likely you’ll see them), any confounding factors (a low bit-rate broadcast will present other problems which are more noticeable), and your own ability to recognise these deinterlacing artefacts in the first place.

Of course, you can easily sidestep the Panasonic TX-L32G10’s deficiency in film-based deinterlacing by feeding the television with progressive video signal from a competent device (i.e. letting your DVD player perform the deinterlacing).

Standard-def images from the inbuilt tuners appeared slightly flat and “filtered”, possibly due to hardcoded MPEG noise reduction which inadvertently blurred away some genuine fine details on top of undesirable MPEG compression artefacts. This is a shame, because the upscaling/ upconversion quality on the Panasonic TX-L32G10 LCD TV was actually quite good: when piped through HDMI at 576p, decent SD DVDs looked sufficiently sharp and detailed on the TX-L32G10 without too much ringing.

Because of the aberrated yellow secondary colour point and mild red push, flesh tones on the Panasonic TX-L32G10 flat screen television struggled to convince. Setting [Colour Balance] to “Normal” alleviated the problem somewhat, but of course this would bump greyscale in excess of 6500K which, at the end of the day, is still preferable to sickly skin tones.

High Definition

Switch to HD content, and naturally things looked a whole lot better, thanks largely to sharper detail from increased resolution, and richer colours from greater tonal depth.

If you already have a Sky dish installed, or stay in an apartment connected to a communal satellite dish, then the Freesat tuner on the Panasonic TX-L32G10 will provide you with the cheapest (especially pertinent in the current credit crunch) source of high-definition content you can find in the United Kingdom. Sure, only a couple of HD channels are available at the moment, but trust us, the few occasions when you can feast your eyes on HD sport broadcasts that are sharply detailed and free of mosquito noise will make it entirely worthwhile.

Freesat aside, the Panasonic TX-L32G10 HDTV also dealt with 1080p/24 video signal fed from a Sony PS3 impeccably: we saw no evidence of telecine judder when watching Forgetting Sarah Marshall (Blu-ray) even with [24p Smooth Film] set to “Off“. Activating this feature would stabilise the 24p flicker (most visible on vertically scrolling text), but introduce a mild video-like effect which, to be fair, was much more subtle than most of the dejuddering processing found on other flat panel televisions.

Compared to other HDTVs boasting deeper blacks, colours on the Panasonic TX-L32G10 LCD television didn’t really leap off the screen, but remained natural enough to satisfy. Although there persisted a tiny trace of non-defeatable edge-enhancement even with [Sharpness] set to minimum, the Panasonic TX-L32G10 (with [Picture Overscan] disabled) portrayed fine detail crisply. However, unless you’re sitting less than 4 feet away, we think that a full HD resolution of 1920×1080 is probably an overkill for a screen of this size (i.e. you’ll find it difficult to appreciate the difference between this and a HD ready resolution of 1366×768 on a 32-inch screen).

Console Gaming

With “Game” [Viewing Mode] engaged (this will disable [Intelligent Frame Creation]), the Panasonic TX-L32G10 offered good gaming response – its measured input lag was on par with our resident Samsung F96 reference. Using any other [Viewing Mode] besides “Game” would add 15ms to the input lag.

Conclusion

Pros

• Inbuilt Freesat tuner
• [Intelligent Frame Creation] delivers clean and clear motion
• Lowish input lag
• Wide viewing angle (for an LCD TV)
• Excellent screen uniformity

Cons

• Average black-level performance unless dynamic dimming employed (which will compromise image contrast and shadow detail)
• Non-existent film mode deinterlacing
• SD pictures from inbuilt tuners can look slightly flat and filtered
• Mild red push

Summary

While its ordinary black level prevents us from recommending it for critical viewing, the Panasonic TX-L32G10 LCD may appeal as a daytime or bedroom/study/kitchen TV especially to gamers (lowish input lag), sports fans (clean and clear motion), and those who wish to enjoy Freesat HD content without forking out for a separate box.