Panasonic TX-55EZ952B OLED Review

The Panasonic EZ952 (also marketed as the EZ950 series elsewhere in Europe) is the Japanese manufacturer’s midrange OLED TV for 2017, sitting one rung below the flagship EZ1002/ EZ1000 series. Whereas the latter is geared towards video professionals with its uploadable 3D LUT (lookup table) among other added features, the former is the more affordable model most consumers would consider buying.

Panasonic EZ952

Two screen sizes are available, namely the 55-inch Panasonic TX-55EZ952B (which is the subject of today’s review) and the 65-inch TX-65EZ952B. Compared with the step-up TX-65EZ1002B, the EZ952s lack the Technics-tuned “Dynamic Blade Speaker” soundbar, “Absolute Black” ambient-light-rejecting filter, and user-uploadable 3D LUT function through their USB/ SD slots.

However, from our testing, most aspects of picture quality are very similar between the two, underpinned by a WRGB OLED panel (sourced from LG Display) with native UHD resolution of 3840×2160, as well as dual Ultra HD Premium and THX 4K certifications. Here are the strengths and weaknesses of the Panasonic 55EZ952 according to our tests.

Pros

Superb Colour Accuracy

Among all TV brands, Panasonic has been the one which places the most emphasis on colour fidelity, and this ethos is clearly evident on the EZ952B. Once we put the Panasonic TX55EZ952B in its most accurate picture preset and watched some content even before touching any of the picture-affecting controls, the first word that came to mind was none other than “natural”.

And the television’s comprehensive array of calibration controls allowed us to further tune the greyscale and colours to truly impressive levels (accounting for our viewing habits and environment), as you can see from the graphs below:

Pre-calibration RGB Tracking
Pre-calibration Delta errors
Pre-calibration [Professional] RGB tracking and delta errors (dEs)
Post-calibration RGB Tracking
Post-calibration Delta errors
Post-calibration RGB tracking and dEs in [Professional] mode
Pre-calibrated Gamma tracking in [Professional] mode Post-calibrated Gamma tracking in [Professional] mode
Pre-calibration gamma tracking (2.51) Post-calibration gamma tracking (2.4)
Post-calibration Colour saturation tracking in [Professional] mode
Post-calibration colour saturation tracking
Post-calibration colour errors in [Professional] mode
Post-calibration colour errors (<3 not appreciable to the eye)
Post-calibration colour checker
Post-calibration Colour Checker SG test
Post-calibration colour checker errors
Post-calibration Colour Checker SG errors (<3 not appreciable to the eye)

If we had to nitpick, although none of the 140 patches measured in the Colour Checker SG chart exhibited inaccuracies that exceeded the humanly perceptible threshold of delta error (dE) 3, the Panasonic TX-55EZ952B’s average dEs were higher than those measured on the top-end EZ1002.

Also, the default out-of-the-box values on our 55in EZ952 review unit were causing some black crush, requiring adjustments to the [Brightness] and [10IRE Gamma] settings to restore shadow detail. We’re not sure if this anomaly was due to a panel-to-panel variance (i.e. specific to our sample), firmware version or a material difference between the EZ952 and EZ1002, but proper calibration took care of it in any case.

Customisable Motion Enhancements

Like all consumer OLED TVs to date, the Panasonic 55EZ952B is a sample-and-hold display, so unsurprisingly its baseline motion resolution came in at an expected 300 lines based on the horizontally scrolling lines in Chapter 31 of the FPD Benchmark Software test disc. What elevates the EZ952/ EZ950 above competing 2017 OLEDs is how customisable and effective its motion-enhancing technologies are.

First, there’s motion interpolation which can be engaged via the [Intelligent Frame Creation] setting. In addition to the usual intensities of “Min“, “Mid” and “Max” besides “Off“, there’s an [IFC] “Custom” mode that permits independent tweaking of the deblur and dejudder components, similar to the [TruMotion] “User” feature on LG OLED televisions (and the [Auto Motion Plus] “Custom” function on Samsung TVs for that matter). In other words, higher motion resolution can be achieved without introducing soap opera effect (SOE) to 24fps films. The same cannot be said of Sony’s A1 OLED whose motion interpolation (the [Smoothness] slider under the [Motionflow] “Custom” submenu) would incur SOE however slight.

Optimised [Intelligent Frame Creation] [Clear Motion] on
Optimised [Intelligent Frame Creation] [Clear Motion] or BFI on

Another motion-boosting tech aboard the TX55EZ952 is black frame insertion (BFI) which inserts black frames between the original video frames – simulating an impulse-based display – to clear our retinal persistence and improve motion clarity. Due to how BFI works, there would inevitably be a drop in brightness and an increase in flicker, but the upside is that you can get sharper motion without SOE or interpolation artefacts (assuming you can tolerate the flicker at different frame rates).

LG OLEDs don’t offer BFI, and whilst the Sony A1/ A1E does, it’s more flickery than the Panasonic for 24Hz and 50Hz sources. Overall, we think Panasonic’s 2017 OLED TVs provide the most usable motion configurations to satisfy different demands in various types of content.

Note: Panasonic’s BFI algorithm appeared to operate at 60Hz (therefore resulting in less flicker than Sony’s method), so slow panning shots in 24p films would exhibit some telecinic judder. (Thanks Ray K for the heads up!) However, we generally refrain from using BFI for watching movies anyway, since 24fps content is inherently slightly blurrier to give that surreal, dreamy look we associate with cinema/ film.

Great HDR10 Tone-Mapping

The Panasonic TX-55EZ952 features the same tone-mapping approach found on the EZ1002B which so impressed us, striking a wonderful balance between maintaining specular highlight detail and overall brightness (Average Picture Level or APL) when displaying HDR10 movies that are mastered to beyond the set’s peak luminance capabilities. There’s a new [HDR Brightness Enhancer] control which gave a small boost in midtones for daytime HDR viewing (a misnomer in itself) according to our measurements:

Click on the options below to compare PQ EOTF tracking:
1000 nits | 4000 nits | [HDR Brightness Enhancer] on

PQ EOTF

Unlike other TVs which use a similar tone-mapping algorithm, the EZ952 didn’t suffer from excessive posterisation in what should be smooth gradients (for example the skies in The Revenant and The Martian). Since we forgot to mention this in our review of the EZ1002, we would also like to commend Panasonic engineers for implementing automatic switching between the correct picture presets separately for SDR and HDR modes, which is a welcome UX upgrade from last year’s HDR TVs from the company (including the popular DX902/ DX900 series) which require owners to manually change picture modes (if properly calibrated as such) to get the best image quality for SDR vs HDR viewing.

Low Input Lag for Gaming

As hinted at the firm’s annual European convention back in February, Panasonic has worked hard to improve gaming responsiveness on its 2017 TVs, and the TX-55EZ952B certainly didn’t disappoint in this regard. With [Game Mode] enabled, input lag measured 26ms in all key video resolutions and formats (1080p, 4K, SDR, HDR).

Input lag in 1080p SDR Input lag in 2160p HDR
Input lag in 1080p SDR Input lag in 2160p HDR

Engaging black frame insertion and the [Pure Direct] modes (for 4:4:4 chroma reproduction) increased latency slightly to 34ms and 36ms (i.e. around half a frame) respectively, which is still eminently playable.

Above-Black Improvements vs 2016 OLEDs

Above-black handling on the EZ952 was on par with other 2017 OLEDs such as the LG B7/ C7, the Sony A1 and Panasonic’s own EZ1002, manifesting less noise, macroblocking and posterisation in darker regions than 2016 models (especially if the source was heavily compressed or bit-starved).

Near-black uniformity is another bugbear for OLED TV owners, and fortunately our Panasonic TX55EZ952B was one of the cleaner examples we’ve seen, with no significant vignetting or thick vertical bands visible on 1% to 4% above-black full-field rasters when inspected in a pitch-black room. OLED’s telltale thin vertical streaks were still present on such slides, but we didn’t notice them in real-world viewing throughout our review period. Before you go ahead and extrapolate our findings to the larger 65in TX-65EZ952B, please bear in mind that 55″ OLED televisions tend to have better uniformity than 65-inchers.

Cons

Limited Peak Brightness

This is a limitation that applies to all WRGB OLED TVs (including the Panasonic 55EZ952) so far, none of which could deliver a peak luminance above 800 nits once calibrated to D65 white point on a 10% window (the pattern size specified by the UHD Alliance for Ultra HD Premium accreditation). Post-calibration, we drew 630 nits from our TX-55EZ952B review unit on a 10% windowed pattern, dropping to 125 nits full-field owing to ABL (Automatic Brightness Limiter) circuitry which is commonly implemented on self-emissive displays such as CRTs, plasmas and OLEDs for better heat and power management.

Batman v Superman
Left: 1200+ nit FALD LED LCD; Right: Panasonic 55EZ952B OLED

As good as Panasonic’s HDR10 tone-mapping was at retaining specular highlights, bright detail on the EZ952B (and the EZ1002B, LG B7/ C7/ E7/ G7/ W7, Loewe bild 7 and Sony A1 too while we’re at it) still looked compressed and muted compared with full-array local dimming (FALD) LED LCDs which can hit 1200+ nits, particularly in 4000-nit-graded 4k Blu-rays that push the MaxCLL (Maximum Content Light Level) boundaries. It’s just physics really… unavoidable when you’re trying to cram data that’s present between 800 nits to 4000 nits within a headroom that tops out at 800 nits (or lower).

No Dolby Vision

Panasonic personnel have informed us that the EZ952 and EZ1002 will never be Dolby Vision-capable. Although we’re still unsure how much of the theoretical advantages of Dolby Vision’s dynamic metadata system will translate into real-life tangible benefits on a display with already good static metadata tone-mapping, the reality is that many prospective buyers who are considering spending a few grand on a TV will be looking for as much future-proofing as possible regardless of whether Dolby Vision (DV) takes off.

Combing/ Stutter on Mixed Film/ Video Content

Considering Panasonic’s excellent video processing track record, it’s somewhat surprising to discover this problem on the TX-55EZ952B. It’s likely present on the EZ1000/ EZ1002 which utilises the same HCX2 processor too, but we completely missed it (hey we’re only human) when we reviewed that television, which gives you an indication of how rare and fleeting the bug was.

We spent hours testing and troubleshooting, and we think this is what’s happening. In mixed video/ film material (for example 24p movies with video title overlays) which are not common these days, the HCX2 processor would hesitate for two to three seconds at the start of the scene, causing subtle stuttering and combing artefacts before turning smooth. We experimented with various settings and frame rates, and found that even though setting [Intelligent Frame Creation] to “Mid” or “Max” could smooth out and mask the stutter, only engaging [Game Mode] or the [Pure Direct] modes would disable whatever processing that’s responsible for the frame skips, and eradicate said stuttering. We certainly hope we have given enough clues for Panasonic engineers to fix this issue via a firmware update.

Magenta-Tinted Blacks in Bright Rooms

Among the 2017 OLEDs we’ve reviewed, the Panasonic TX-55EZ952 exhibited the strongest magenta tint when its screen was hit by light, since the television’s not equipped with the necessary light-rejecting filter.

Light-induced magenta tint

We don’t think this is an issue at all for critical viewing in a low-light environment, but if you’re using the TV in a bright room, just be aware that blacks can take on a purplish cast.

The lack of a magenta-reducing filter has caused some quarters to speculate that the Panasonic EZ950/ EZ952 is using last year’s (2016) OLED panels, but that’s simply not true. While we are of the opinion that there’s little difference between “2016” and “2017” WRGB OLED panels from LG Display (with any improvements coming from iterative manufacturing process), the 55EZ952B’s subpixel structure, spectral power of distribution (SPD) and ABL behaviour all pointed towards the latter. In any case, we reached out to Panasonic to clarify, and here’s their reply:

The EZ952 is using the latest generation of OLED panels.

Benchmark Test Results

Dead pixels None
Screen uniformity Thin vertical streaks in very dark scenes
Overscanning on HDMI 0% with [16:9 Overscan] and [Pixel Orbiter] set to “Off
Blacker than black Passed
Calibrated black level (black screen) 0 cd/m2
Calibrated black level (4×4 ANSI) 0 cd/m2
Black level retention Stable
Primary chromaticity Excellent
Scaling Excellent
Video mode deinterlacing Effective jaggies reduction
Film mode deinterlacing Passed 3:2 & 2:2 in SD & HD with correct [Film Cadence Mode]
Viewing angle (cone) 166°
Motion resolution 650 lines with [IFC] or [Clear Motion] on; 300 otherwise
Digital noise reduction Optional; effective when engaged
Sharpness Defeatable edge enhancement
Luma/Chroma bandwidth (2D Blu-ray) Full luma & chroma with [Pure Direct] mode enabled
1080p/24 capability No judder
2160p/24 capability No judder
Measured panel refresh rate 120Hz
Measured peak brightness 630 cd/m2
Measured DCI-P3 coverage 99%
Leo Bodnar input lag tester 26ms with [Game Mode] enabled
Full 4:4:4 reproduction (PC) Yes for 1920×1080 & 3840×2160@60Hz with [Pure Direct] mode engaged

Power Consumption

Default [Normal] mode 100 watts
Calibrated [Professional] mode 94 watts
HDR [True Cinema] mode 188 watts
Standby <1 watt

Miscellaneous Data

Subpixel structure
Macro photo of subpixel configuration verifying WRGB OLED panel layout
Spectral power of distribution
Spectral power of distribution (SPD) captured using a JETI 1511 spectroradiometer
Post-calibration HDR colour saturation tracking in [True Cinema] mode
Post-cal colour saturation tracking against DCI-P3 standard in Rec.2020 container

Video Review

Conclusion

Delivering much of the outstanding picture quality witnessed on the range-topping EZ1000/ EZ1002B at a lower price point, the Panasonic TX-55EZ952B will appeal greatly to those who value accurate movie reproduction in the home. For most people, the EZ952/ EZ950 simply makes more financial sense: its magenta-tinted coating isn’t really noticeable in a dimly-lit room; most AV enthusiasts will likely have their own external audio solution without needing the EZ1002’s integrated soundbar; and the display provides sufficient calibration controls to achieve highly accurate colours for home viewing even without the uploadable 3D LUT functionality found on the EZ1000.

Other 2017 OLED TVs that compete in a similar price bracket include the LG C7/ B7 and the Sony A1. In terms of image quality, the Panasonic TX55EZ952B’s colour palette is the most natural even out of the box. It also offers the most extensive and usable selection of motion-boosting technologies, though we’re less than impressed by the rare but reproducible stuttering in scenes with mixed film/ video text.

Of course, the LG and Sony OLEDs support Dolby Vision (the latter via an upcoming software update), whereas the Panasonic doesn’t. At this time of writing, we don’t really know how important Dolby Vision (DV) is, but we suspect the answer will reveal itself when Panasonic (and Samsung) executives go over their respective sales figures at the end of the current fiscal year.

If you can see past the lack of Dolby Vision, then the Panasonic EZ952 will reward with its true blacks, pristine colours, excellent video processing, balanced HDR10 tone-mapping, wide viewing angles and low input lag.

Note: If you’re considering buying this television, please support this website by making your purchase from our sponsor Crampton & Moore – call 0113 2446607 and ask for store manager David Conner (who also organises our annual TV shootout event), quoting HDTVTest for advice, best price and first-rate service.

Highly Recommended

10 comments

  1. Gergely Puskas

    Hi Vincent!

    Great write-up!! How is lower quality source (DVD, 720p) looking on the Panasonic (in terms of upscaling, motion) compared to LG B7 / Sony A1? Asking as in some reviews LG was scored even higher in this regard than Sony, you though preferred Sony over Lg. How this Pana looks like against both?

    Ps.: Assume the stuttering you mentioned can be resolved by a firmware update, hopefully.

    Thank you!

    G.

  2. Dear Vincent,

    did you test for the uniformity of the panel using full white screen? Did you notice any purple tint on either side of the panel that would be seen with real content (i.e. snow, clouds, graphics etc)?

  3. Hi Vincent,

    thank you for your great review. About stuttering bug, are you going to inform and contact directly Panasonic in order to have this issue solved by fw update? Could you inform us once you have received any feedback by Panasonic on this subject?

    Thank you.
    GLAD

  4. The Bfi for 60hz/60fps on this Panasonic Oleds are highly underrated. Once activated it is possible to play without smearing and blurrines. The light output is with 200nit still very high and the input lag with 35ms still very low..So consider this for every pc player out there.

  5. LG usually reduce the price of their panels to clear stock for new models at some point so Panasonic will realistically not anticipate its OLED offerings to be a major sales boost for its brand especially if Panasonic needs to maintain a premium price, its just a matter of keeping itself in the TV market when no alternative technology to OLED is ready or available.

  6. Hi Vincent,
    A few questions;
    What is the sound quality like?
    With regards to motion issues, did you notice any problems with occasional judder with scrolling text on News channels when being fed with a 50Hz signal from a source such as the Sky Q box. ?
    I had such an issue with the LGB6 Oled, which I had to return due to this.
    How can one prevent this from happening?
    Thank you

  7. So does this mean it does NOT display 24p sources up to 96 hertz? And BFI does not work for 24p?
    That would be a bit of a let down for me personally…

  8. Amazing review as always, a landmark as few
    Can you publish your picture settings?
    thanks

  9. Hi Vincent,

    I need your advice in order to quicky pick up my new OLED: only for today I can buy this Panasonic EZ 950 55″ for 1.999 € or, for the exact same price, the LG C7V 55″.

    If I understood correctly, the Pana has a slighty advantage in picture quality overall. It is better in motion handling and tone mapping.

    The “minus” that worry me are the limited peak brightness compared to LG and no support for Dolby Vision, also whitout any certainty about HDR 10+… I must add that the Firefox OS, discarded by Firefox itself, gives me more than a doubt about usability right now and even more in the future, if compared to LG WebOS.

    Personally, what would you take?

    Many thanks.

    P.S: if someone else wants to answer me, other than Vincent, thank you in advance

    Piero from Italy

  10. Starting from firmware version 3.143 the TV supports the DTS via HDMI ARC and the TV can also decode DTS with its internal speakers.

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